Tag: Criticism
-
George Lewis, Improvisation, and the Rhizome
This is the written portion of a presentation by the same name I gave at the College Music Society‘s Northwest Chapter conference. George Lewis is one of the most significant composers in the world of computer music and improvisation. Beginning his musical career as a trombonist with the AACM (American Association of Creative Musicians) on…
-
Where is the Vanguard? On the unbearable difficulty of defining the “avant-garde,” a passage from Bolaño’s 2666, and a half-assed defense of Arnold Schoenberg
I “History is always written from the sedentary point of view and in the name of a unitary State apparatus, at least a possible one, even when the topic is nomads.” –– Deleuze and Guattari, A Thousand Plateaus For those interested in the “avant-garde,” “experimental music,” “the sonic frontier,” whatever you want to call it,…
-
Davis Stubbs’ Fear of Music, Zappa, and some ephemera
On a recent trip to the local bookstore I picked up two books: The Real Frank Zappa Book and Fear of Music. The former is pretty well-known: Zappa is a recognizable name among most people, even if they cannot tell you a single song of his besides “Valley Girl,” “Bobby Brown Goes Down,” and maybe…
-
Mahler’s Ninth: Preliminaries
Since I first watched that clip of Leonard Bernstein delivering a gorgeous monologue about Mahler’s Ninth Symphony, I’ve wondered about the nature of influence in this case: do I love this piece just because old Lennie convinced me that it was more profound than it really is? Or is the piece actually as brilliant as…
-
It’s All Noise: a review of Alex Ross’ The Rest is Noise
The Rest is Noise, Alex Ross’ first book, was an instant hit. The New York Times named it one of the ten best books of 2007; it was a finalist for many prestigious literary prizes including the Pulitzer Prize for General Nonfiction; the cover copy is littered with praise from critics, historians and musicians, everyone…
Continuous Variations 