Released under Psychogeography on March 22.

Parallels (piano, flute, alto sax, percussion (vibraphone and bowed cymbal)) (2021)

Performance forthcoming…

Exit/No Exit (piano and live effects processing via Max/MSP and Arturia Minilab) (2021)

Performed by myself at Rewire on December 2 2021. Sponsored by Sonic Arts and Music Production @ PSU and KPSU. Performance forthcoming…

Emergence (Prelude for Orchestra) (2020)

Composed Spring-Winter 2020

Instrumentation: 3 Flutes, 2 Oboes, 1 English Horn, 2 Clarinets in A, 1 Bass Clarinet in Bb, 3 Bassoons, 4 Horns, 3 Trumpets, 2 Trombones, 1 Bass Trombone, 1 Tuba, Timpani, 4 Percussion (Snare Drum, Bass Drum, Two Concert Toms, Suspended Cymbal, Vibraphone, Tam-Tam), Harp, Strings

Night Thoughts (chamber ensemble and triggered samples) (2020)

Composed for the Portland State University Composer’s Ensemble.

Instrumentation: Flute, Alto Sax, Bassoon, Trombone, Marimba, Guitar, Piano, Violin, Cello, Double Bass, Triggered Samples.

After Basho: Three Autumn Haiku (guitar, alto flute, mezzo-soprano) (2019)

Performance by Lisa Neher (mezzo-soprano), Amelia Lukas (alto flute) and Brandon Azbill (guitar) on November 15 2019 at Cascadia Composer Collective’s Shades of Autumn.

…as well as a bunch of juvenilia, odds and ends, pieces dumped into dark corners of the internet and some finished works in desperate need of revisions