Parallels (piano, flute, alto sax, percussion (vibraphone and bowed cymbal)) (2021)
Exit/No Exit (piano and live effects processing via Max/MSP and Arturia Minilab) (2021)
Performed by myself at Rewire on December 2 2021. Sponsored by Sonic Arts and Music Production @ PSU and KPSU. Performance forthcoming…
Emergence (Prelude for Orchestra) (2020)
Composed Spring-Winter 2020
Instrumentation: 3 Flutes, 2 Oboes, 1 English Horn, 2 Clarinets in A, 1 Bass Clarinet in Bb, 3 Bassoons, 4 Horns, 3 Trumpets, 2 Trombones, 1 Bass Trombone, 1 Tuba, Timpani, 4 Percussion (Snare Drum, Bass Drum, Two Concert Toms, Suspended Cymbal, Vibraphone, Tam-Tam), Harp, Strings*
*preferably 16 14 12 10 8 to accommodate for the absurd divisi I thought would be a good idea to use in my first orchestral piece, for some reason.
Night Thoughts (chamber ensemble and triggered samples) (2020)
Composed for the Portland State University Composer’s Ensemble.
Instrumentation: Flute, Alto Sax, Bassoon, Trombone, Marimba, Guitar, Piano, Violin, Cello, Double Bass, Triggered Samples.
After Basho: Three Autumn Haiku (guitar, alto flute, mezzo-soprano) (2019)
Performance by Lisa Neher (mezzo-soprano), Amelia Lukas (alto flute) and Brandon Azbill (guitar) on November 15 2019 at Cascadia Composer Collective’s Shades of Autumn.